Hayao Miyazaki Acknowledges the End of Studio Ghibli: “It Will Be Better If I Take Up the Work Myself”
Hayao Miyazaki is undoubtedly one of the most influential directors in anime, and his genius is evident in the timeless appeal of Studio Ghibli films. His unique style and visionary storytelling have garnered immense popularity, but with his repeated retirements and strong-handed approach to filmmaking, the question arises: what does the future hold for Studio Ghibli once Miyazaki steps aside?
Miyazaki has made multiple announcements about his retirement over the years. After the success of Princess Mononoke in 1997, he stated his intention to retire. However, the success of Spirited Away led him to return for Ponyo in 2009. Despite his frequent retirements, he directed The Boy and the Heron, his latest film, further cementing his unwillingness to let go of the creative reins.
The Controlling Nature of Hayao Miyazaki: A Threat to Studio Ghibli’s Future?
In an interview with Xin Jin Bao in 2004, Miyazaki explained that his passion for animation would always bring him back, as he could not trust others to capture the true essence of his vision:
“Although I have thought about leaving the world of animation many times, whenever I see a piece of work that I really like, I would naturally want it to express my own ideas. When I hand it to others, I always think about how this and that should be done. At last, I feel that it will be better if I take up the work myself. In order to bring out the original spirit of the work, I can only return.”
—Hayao Miyazaki
While this statement reflects his dedication to maintaining the integrity of his films, it also highlights a potential problem for Studio Ghibli: Miyazaki’s controlling nature could stunt the studio’s long-term growth. His inability to trust others with directing responsibilities creates a bottleneck, hindering the potential for other creative voices to lead the studio into the future.
Former production coordinator of Studio Ghibli, Hirokatsu Kihara, offered a critical perspective on Miyazaki’s leadership, describing him as someone who “speaks like a Yakuza and rules like a politician.” This remark alludes to the director’s authoritarian style and the challenges it posed for those working with him. A prime example of this was his strained relationship with his own son, Goro Miyazaki. Goro, who directed Tales of Earthsea, faced harsh criticism from his father, leading to a prolonged period of silence between the two.
In another instance, Mamoru Hosoda, a director known for his work on Digimon Adventure: Our War Game!, was initially chosen to direct Howl’s Moving Castle. However, after a few months, Hosoda walked away from the project, citing creative differences with Studio Ghibli. He explained that the studio insisted on making the film in a manner similar to Miyazaki’s style, while Hosoda had his own vision for the project:
“I was told to make [the movie] similar to how Miyazaki would have made it, but I wanted to make my own film the way I wanted to make it. The difference between the film I wanted to do and how they wanted to do it was too great, so I had to get off the project.”
—Mamoru Hosoda
Hosoda’s departure sheds light on the inherent difficulties of working within the constraints of Miyazaki’s established style. The director’s strong will often leads to a creative environment where there is little room for new ideas or fresh perspectives. This, in turn, may limit the studio’s ability to evolve and adapt to changing times, especially as new generations of filmmakers emerge
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Miyazaki’s reluctance to pass the torch and allow others to direct under his banner is a key issue that could jeopardize the future of Studio Ghibli. While his films remain beloved by audiences worldwide, the studio’s survival depends on its ability to cultivate new talent and embrace a broader range of creative voices. If Miyazaki remains the sole creative force, Studio Ghibli may struggle to remain relevant as the industry evolves, potentially leading to its decline once he eventually steps away for good.
The fate of Studio Ghibli will ultimately depend on whether Miyazaki can overcome his controlling nature and trust others with the legacy he has built. If the studio is to continue thriving, it must find a way to integrate fresh ideas while maintaining the high standards set by its founder.