How BTS’s Gwanghwamun Show Revived Criticism of LE SSERAFIM?

The historic return of BTS with their “BTS THE COMEBACK LIVE | ARIRANG” concert at Gwanghwamun Square on March 21, 2026, has done more than just celebrate the group’s reunion.

It has inadvertently reignited a heated debate within the K-pop community regarding live performance standards.

Shortly after the concert concluded, social media platforms and news outlets like Koreaboo noted a surge in “comparison discourse,” where BTS’s stable live vocals and commanding stage presence were used by some netizens to criticize fellow HYBE labelmates, LE SSERAFIM.

The “ARIRANG” Performance vs. Past Controversies

The root of the ridicule stems from the stark contrast fans drew between BTS’s flawless execution and LE SSERAFIM’s historically divisive 2024 Coachella debut.

During the Gwanghwamun show, BTS performed high-energy tracks like “Mic Drop,” “Butter,” and their new main track “Swim” with what critics described as “cool confidence” and “seamless” vocals.

Because both groups are under the HYBE umbrella, many netizens took the opportunity to point out the perceived gap in “raw talent.”

Comments on platforms like X and various online forums highlighted that BTS managed to deliver a world-class, hour-long live set in a challenging outdoor public space with no room for error.

This led to a wave of “ridicule” directed at LE SSERAFIM, with some users rehashing old criticisms of the girl group’s vocal stability and questioning HYBE’s training priorities for its newer teams.

A Growing “Hate Train” and Industry Standards

This is not the first time LE SSERAFIM has faced such scrutiny. The group has dealt with a persistent “hate train” since their Coachella performance, where videos of their live vocals were heavily analyzed and criticized.

The BTS comeback served as a catalyst for these sentiments to resurface, as fans used the veteran group’s expertise to argue for a return to “traditional” idol standards- where live vocal ability is prioritized over visual-heavy performance.

The discourse has also touched on the different expectations placed on male vs. female idols.

While some experts argue that the backlash against LE SSERAFIM reflects the “tenuous position” young female artists hold in a patriarchal industry, others insist that the comparison is purely about musical merit.

One viral comment noted that while LE SSERAFIM focuses on a “self-confident” image, the “authenticity” and vocal prowess shown by BTS at Gwanghwamun set a bar that newer groups are struggling to reach.

HYBE’s Internal Dynamics Under the Spotlight

The situation has also brought negative attention to HYBE’s management style. Critics of the corporation have used the success of BTS to claim that the agency may be “hastily putting together teams focused on visuals” at the expense of fundamental vocal training.

By contrasting the two groups, some fans are calling for HYBE to ensure that all their active artists can maintain the high performance standards established by their most senior group.

Despite the renewed criticism, LE SSERAFIM continues to move forward with their own successful projects, including an anticipated April comeback.

However, as long as BTS continues to deliver high-stakes, flawless live performances, the comparisons are likely to remain a recurring theme in the K-pop landscape, serving as both a source of inspiration for fans and a point of contention for critics of the industry’s evolving standards.